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英語(yǔ)專四閱讀模擬習(xí)題
在學(xué)習(xí)和工作的日常里，我們經(jīng)常接觸到練習(xí)題，通過(guò)這些形形色色的習(xí)題，使得我們得以有機(jī)會(huì)認(rèn)識(shí)事物的方方面面，認(rèn)識(shí)概括化圖式多樣化的具體變式，從而使我們對(duì)原理和規(guī)律的認(rèn)識(shí)更加的深入。大家知道什么樣的習(xí)題才是好習(xí)題嗎？下面是小編整理的英語(yǔ)專四閱讀模擬習(xí)題，僅供參考，大家一起來(lái)看看吧。
英語(yǔ)專四閱讀模擬習(xí)題1
I have known very few writers, but those I have known, and whom I respected, confess at once that they have little idea where they are going when they first set pen to paper. They have a character, perhaps two; they are in that condition of eager discomfort which passes for inspiration; all admit radical changes of destination once the joumey has begun; one, to my certain knowledge, spent nine months on a novel about Kashmir, then reset the whole thing in the Scottish Highlands. I never heard of anyone making a "skeleton", as we were taught at school. In the breaking and remaking, in the timing, interweaving, beginning afresh, the writer comes to discern things in his material which were not consciously in his mind when he began.
This organic process, often leading to moments of extraordinary self-discovery, is of an indescribable fascination. A blurred image appears, he adds a brushstroke and another, and it is gone; but something was there, and he will not rest till he has captured it. Sometimes the’ yeast within a writer outlives a book he has written. I have heard of writers who read nothing but their own books, like adolescents they stand before the mirror, and still cannot fathom the exact outline of the vision before them. For the same reason, writers talk interminably about their own books, winkling out hidden meanings, superimposing new ones, begging response from those around them.
Of course a writer doing this is misunderstood: he might as well try to explain a crime or a love affair. He is also. Incidentally, an unforgivable bore. This temptation to cover the distance between himself and the reader, to study his image in the sight of those who do not know him, can be his undoing: he has begun to write to please.
A young English writer made the pertinent observation a year or two back that the talent goes into the first draft, and the art into the drafts that follow. For this reason also the writer, like any other artist, has no resting place, no crowd or movement in which he may take comfort, no judgment from outside which can replace the judgment from within. A writer makes order out of the anarchy of his heart; he submits himself to a more ruthless discipline than any critic dreamed of, and when he flirts with fame, he is taking time off from living with himself, from the search for what his world contains at its inmost point.
1. The writers that the author is familiar with confess that they would
A. work out the ending of a novel in advance.
B. follow the writing methods learned at school.
C. remodel the main character in writing.
D. make changes to the stories they first construct.
2. According to the passage, the process of writing
A. depends on skillful planning.
B. is predictable and methodological.
C. depends on the writers’ experiences.
D. is disorderly and unsystematic.
3. The word "undoing" in the third paragraph probably suggests
A. success.
B. happiness.
C. failure.
D. sorrow.
4. According to the passage, the writer has no resting place because
A. he is not clear about what he will write at the beginning.
B. he should constantly edit his work to make it perfect.
C. he has to face a lot of responses given by readers.
D. he should add brushstrokes to the appearing blurred images.
5. Which of the following statements about writers is TRUE according to the last paragraph?
A. They have little ideas before they start writing.
B. Their talent goes into all their drafts.
C. It does harm to their writing when they flirt with fame.
D. They try to increase communication with readers.
英語(yǔ)專四閱讀模擬習(xí)題2
1. What seems confusing and fragmented at first might well become____a third time.
A. notable and systematic B. clear and organic C. clean and measurable D. pure and wholesome
2. They failed to pass the exam last time; I regretted ____.
A. to be not able to help B. being unable to helpC. being not able to helping D. not be able to help
3. At a press conference after the Oscar Award ceremony, the 18-year-old girl spoke in a barely____ voice.
A. identical B. legible C. optional D. audible
4. All ____is a continuous supply of fuel oil.
A. what is needed B. that is needed C. the thing needed D. for their needs
5. Today dozens of scientific group in different countries have been____the goal of a practical and economic way to use sunlight to split water molecules.
A. reaching B. winning C. chasing D. pursuing
6. You said the books were on the desk, but ____there.
A. there was no one B. there were none C. there were no ones D. was none
7. Before the project was started, we asked the designer to give us an ____of the cost of building such a museum.
A. estimate B. evaluation C. assessment D. announcement
答案及解析：
1. 答案 B
【參考譯文】 一些初看既令人困惑又零零碎碎的事物經(jīng)過(guò)再三思量會(huì)變得清晰而系統(tǒng)。
【試題分析】 此題考查形容詞詞義。
【詳細(xì)解答】 從題意可以看出需要選與confusing and fragmented(既令人困惑又零零碎碎的)意思相對(duì)的一組詞，只有clear and organic(既清晰又系統(tǒng)的)符合要求。clean and me asurable既干凈又可度量的，notable and systematic值得注意的而且系統(tǒng)的，pure and wholesome純正的且有益的。都不符合題意。因此B為正確選項(xiàng)。
2. 答案 B
【參考譯文】 上次他們沒(méi)有通過(guò)考試，我后悔沒(méi)能幫他們一把。
【試題分析】 此題考查動(dòng)詞regret的用法。
【詳細(xì)解答】 某些動(dòng)詞跟不定式做賓語(yǔ)與跟-ing分詞作賓語(yǔ)時(shí)有區(qū)別：“regret+不定式”：對(duì)尚未做的'或正在做的事表示遺憾;“regret+-ing分詞”：對(duì)做過(guò)的事情表示后悔。因此B為正確選項(xiàng)。
3. 答案 D
【參考譯文】 在奧斯卡頒獎(jiǎng)典禮后的記者招待會(huì)上，這位18歲的女孩發(fā)言的聲音小得幾乎聽(tīng)不見(jiàn)。
【試題分析】 此題考查形容詞詞義。
【詳細(xì)解答】 audible意為“可聽(tīng)得見(jiàn)的”，符合本題題意。optional作“可選擇的，隨意的”講;legible意為“字跡清楚的，易讀的”;identical意為“相同的，完全一樣的”。因此D為正確選項(xiàng)。
4. 答案 B
【參考譯文】 我們所需要的就是持續(xù)不斷地得到燃油供應(yīng)。
【試題分析】 此題考查定語(yǔ)從句的用法。
【詳細(xì)解答】 當(dāng)定語(yǔ)從句修飾的先行詞前有all,any,no,only,little,much修飾，或者這些先行詞本身就是all,any,little,much,anything,nothing等不定代詞時(shí)，一般應(yīng)用關(guān)系代詞that。因此B為正確選項(xiàng)。
5. 答案 D
【參考譯文】 如今各國(guó)許多的科學(xué)小組正探尋實(shí)用而節(jié)約的方法，以便利用太陽(yáng)能分解出水分子。
【試題分析】 此題考查動(dòng)詞詞義及搭配。
【詳細(xì)解答】 pursue在此意為“繼續(xù)從事，忙于”，符合本題題意。chase作“追求，追逐”講;reach則意為“到達(dá)，達(dá)到”;win作“贏得，獲勝”講。因此D為正確選項(xiàng)。
6. 答案 B
【參考譯文】 你說(shuō)參考書(shū)在書(shū)桌上，但那兒沒(méi)有。
【試題分析】 此題考查不定代詞的用法。
【詳細(xì)解答】 no one表示“一個(gè)也沒(méi)有”，即“not a single one”，而且no one只代表單數(shù)名詞，只能指人，謂語(yǔ)也用單數(shù)。none 表示“……之中沒(méi)有一個(gè)”。none可以代替單數(shù)與復(fù)數(shù)名詞，謂語(yǔ)也有單復(fù)數(shù)。none既可指人，又可指物。此處none指代books，是復(fù)數(shù)形式。因此B為正確選項(xiàng)。
7. 答案 A
【參考譯文】 在項(xiàng)目開(kāi)工前，我們請(qǐng)?jiān)O(shè)計(jì)者為建這樣一座博物館估計(jì)一下成本。
【試題分析】 此題考查名詞詞義。
【詳細(xì)解答】 estimate此處意為“出價(jià)，估價(jià)”，符合本題題意，而assessment意為“估計(jì)，估稅，評(píng)定”;announcement作“宣布，宣告”講，evaluation則意為“估價(jià)，評(píng)價(jià)”。因此A為正確選項(xiàng)。
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