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英語(yǔ)影片觀后感
Shawshank redeems Hollywood
Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, due to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareneof each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.
這個(gè)殺手不太冷
Leon (Jean Reno) is a tortured soul. He lives in squalor and misery, never truly happy or at peace with himself. After all, he is a hitman. He lives quietly from kill to kill, harming no-one whom he has not been paid to assassinate. He is a simplistic, childlike man who lives by his own set of morals but is troubled by them. The one thing he seems to fear above all else is change.
Mathilda (Natalie Portman) is Leon's neighbour. A young girl, she lives with her father, step-mother, half-sister and half-brother. As unhappy as Leon, she lives in awe of the dark stranger, unaware of his true profession. Beaten by her parents and sister, she has abandoned school and instead spends the day watching cartoons and trying to escape from the real world.
When Mathilda's family is brutally murdered by a drug crazed Norman Stansfield (Gary Oldman), her only chance for survival is to hide with her neighbour. When she learns of Leon's true identity, she becomes infatuated with both him, and the grim world he inhabits.
This stark portrayal of humanity and inhumanity is produced with the style and finesse that one expects from Luc Besson. In addition, the combined talents of Jean Reno, Natalie Portman and Gary Oldman provide not only an unmatched on-screen chemistry, but also three perfectly created characterisations, the like of which are rarely seen in today's cinema. This film has my personal recommendation of being the best piece of cinema that I know of. I have not seen anything that matches it in terms of intensity or emotion - and believe me, I've looked. I found myself caring for the characters involved, an unique experience in itself. This is not the type of film for a night in with your mates, but nevertheless, it is an unforgettable piece of cinematic history.
放牛班的春天
The Chorus (Les Choristes) - Review
“The Chorus” is a movie you have seen many times before. Cute, well-acted and utterly predictable, Christophe Barratier's feature debut delivers just what the advertising promises: a musician who has given up on fame takes a job as supervisor at a school for hard cases, and when he teaches the boys how to sing, they mellow out and begin to love him dearly.
Fond d'Etang, the name of the school run with iron fist by the stern Rachin (Francois Berleand), translates as "Rock Bottom,” but round-faced Clement (Gerard Jugnot
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